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Tag: wry

Sustainable

When our office switched from recyclable
cups to sustainable mugs my boss

said she never pours tea into coffee
mugs because coffee was a thoughtless

guest who never, really, leaves, like
there’s always one sock left under

the couch to be found six months later.
I shrugged because I’d never found so

much as a quarter beneath the cushions.

Jesus, too, warned against pouring new
wine into old wine skins lest they burst

and stain the carpet but my coffee
mug has never

yet

cracked.

An Ounce of Pretension

There are few opening lines more pretentious than
‘I have a hot tub’—maybe ‘I don’t own a TV’ or

‘I read The Economist’—but it’s true and anyway
it’s for my wife’s fibromyalgia and it was on sale

and there’s no other way to explain the leaves that
become trapped and float unnoticed to the surface

sink beneath the jets lost in the flotsom to wind
between our toes and lay at the bottom of this

chemical bath dying as we relax color fading like
an astronaut without oxygen who can’t keep her

eyes open as the warnings flash 15 10 5 3 percent
red through her eyelids but she’s long since succumbed

to an isolated slumber and slipped down to death to
wind between God’s toes, a leaf in the filter but

he still knows her name.

Urgent Message When Flashing

It’s power, of a kind, to draw
the attention

ACCIDENT EXIT 93 EXPECT DELAYS

of zombied motorists with a
silent,
amber scream

FLOODING HWY 2 ALT RTE CR KK

to warn of jackknives, pileups, sinkholes,
(perhaps) transdimentional hordes

COFFEE ON CAR ROOF FULL DARK ROAST HELP

on southbound I-85.

As the boundaries of traffic form and
fade within
roving, elongated

GLORIOUS DETOUR RTE 17 EXIT 12

search lights
how bleary and half-dozed must seem

DO NOT IGNORE CHECK ENGN LIGHT ASK UNCLE JACK

the line of urgency at 3:27 AM.

How stippled, how cracked.

DID YOU HEAR THAT

Published in Giant Robot Poems, Vol 1.

My Life As an Adverb

in the beginning was the Word;
it has/will been/be, ever since/more.

some (words) are more
import-
signific-
relev-
ant than others, without
which the story is lost or
meaning less.

some ARE, some DO,
while some ARE/DO both while
never break-
ing
stride.

the others, though,
gild and embellish
are clutter and noise,
momentary-
ily
worthy of a roughshod draft;
unworthy, certain-
ly,
of eternity.

do they know if they
ARE or DO or do they
wait, anxious-
ly,
for the sharp, red pen?