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Category: sequence

True Story

In memory of Anthony Lamar Smith.

I.

Patterns are important.

They trained us to use stickers
stuck to name tags to create
stucked mosaics of remembering
that I was they were we had been stuck
together.

The un-unstuckable promise of future stuckiness.

II.

I am the
Friday Man the
Story Man the
Teller Man
with the
books and the
bag and the
voice of bears in my chest.
I am the
unconditioner the
constant visitor the
indescriminate huggerer.

I am (also) the
White.

III.

A favorite is The Monster at the End of This Book
when they’re eager to look beyond This Page despite
Grover’s growing fear and rage at their strength and
power, and fervor to see the next and reach the end.
Laughter in the face of danger.

They squeal when I ask if they’re sure, should I
turn, do we dare, is it safe, aren’t you scared?
No! They are brave, they don’t care, it’s a story and
a show and I am there to protect them.
And, anyway, monsters aren’t really real.

IV.

I can’t understand
a word he says but
that doesn’t stop him
talking from the moment
I enter the classroom,
throughout each book.

As the others fidget
in a bulbous line
waiting
for their stickers
I see his hand slide
into my peripheral
(as I’ve slid into his)
to grab a sheet of Minions with guitars,

soon
followed by a finger pressed carefully
onto my shoulder so
the sticker will be stuck, and
never leave.

V.

The verdict wasn’t surprising but
the tears were unexpected because
this, too, has become
a pattern that won’t unstuck.
Injustice that never leaves,
pressed too long along
the peripheral of they who judge.
And he is brave and he is bold
which is, now, met with joy
because this boy has been told
(and believes)
that
I will protect
him.
But, dear God,
how real are these monsters?
How close, with every page?

Lilou

I.

Strange, to say that a mother
has
‘lost’
her baby.
That such a wonder could be mis
-placed; such a love,
so careless.

It implies guilt and fault,
a moment
of inattention in
a moment
when there is anything
but.

Though who dares? Who brave or soulless
enough to speak the actual words that

A.
Child.
Has.
Died.

To name the thing? Give face to the fear;
voice to the dark?

Except the curse has fallen
without having been spoken.
A breathless and wordless strike.
No word, no breath,
could have or did have
stopped it,
despite our most loquacious prayers
which, in the end, were nameless.

II.

This loss runs contrary
to expectations
that our children
(a child)
are
(is)
innocent and inviolately safe because
we are there, inviolating.

For surely Joseph, just a man,
just a father,
was tense in his stabled vigil,
keeping watch of the sheep and ass and cattle
for signs of sudden movement.
Hooves behind this line because
this child is mine.

Son of God, yes; yet, too, Son of Joseph.
(Who was told the name, but
was he who gave it.)

Sent to protect but, first,
to be im/perfectly protected.

Our protection, in the end, is never enough.

III.

As, in less than a moment, did God speak
the Word,
so did your soul-spark catch and flame;
soft and sublime.
A light where there had been none.

As, in that un-moment, all that was/is/will be
flowered and filled Creation,
so did you expand and collide in measured beats
to become.

And so are you conserved.
Neither created nor destroyed,
neither present nor absent.

What has been named cannot be unnamed.
What dreamed, unseen.
What loved, in the end,

lost.

Published in Strange City Digest, Winter/Spring 2021.